SOUND PATTERNS

A Structural Examination of Tonality, Vocabulary, Texture,
Sonorities, and Time Organization in Western Art Music

by PHILLIP MAGNUSON

LARGER PERSPECTIVES

Chapter 29. Review and Expansion
Chapter 30. Harmonic and Melodic Patterns
Chapter 31. The 123's of Schenkerian Analysis

Introduction

One step back, five steps forward

The aim of this unit is to review concepts and examine new contexts for information from previous chapters. The familiar five elements upon which this text is based continue to be the focus: tonality, vocabulary, texture, sonority, and time organization. They explain much about Western music of the Common Practice Period and there is still much to learn about them.


Links to other units in Sound Patterns
FUNDAMENTALS
BASIC RULES FOR SPECIES COUNTERPOINT
DIATONIC PROCEDURES I: Harmonic Dimensions
DIATONIC PROCEDURES II: Expanding the Phrase
DIATONIC PROCEDURES III: Substitutions
CHROMATIC PROCEDURES I: Moving from the Global Key
THE ABC's OF CHORALE SETTING
CHROMATIC PROCEDURES II: Modal Mixtures
CHROMATIC PROCEDURES III: Advanced Vocabulary
THREE ANALYSIS PROJECTS
MICROCOSMS: Musical Styles of the Twentieth Century

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