

The crescent & star
of the Turkish flag,
symbols older than
Islam
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CHAPTER 10 Living Images of
the Tradition: Ritual and Symbol
Outline
Ritual
Ritual Honors Divine Beings
Ritual Makes Reality Work Right
Ritual Makes Reality More Real to People
The Separation of Magic from Ritual
The Origin of Ritual
Legalistic Ritual
Rituals as Part of the Long Transformation
Symbols
Kinds of Symbols
Core Symbols
Ritual, Symbol, and the Numinous
The Symbol in Primitive, Archaic, and Historic Religion
The Problem of Idolatry in Historic Religion
The Death of Religious Symbols
Summary
INTRODUCTION
The language of ritual and symbol has been an expression of religious
tradition for nearly all religious traditions.
RITUAL
Ritual is ceremonious
or formalized behavior. This behavior is not limited to the religious
sphere. From rituals of greeting to marriage, ritual makes up an
important part of everyday life. Religious ritual often serves three
purposes: to honor divine beings, to maintain the traditional order, and
to support and legitimize existing thought structures. In this way,
ritual can make reality seem more “real.” Although magic is often an
important part of religious ritual, religions of the historic stage tried
to deemphasize or eliminate the role of magic. Similar to the role of
magic in ritual is the role of legalism—obedience to external forms of
ritual rather than participating in the true meaning.
The Origin of Ritual
Though ritual is very
useful in affirming the reality and significance of a way of life, most
people do not recognize this as the reason they take part in religious
rituals. The true origins of ritual are unclear. Some reason that humans
have an inborn tendency to ritualize, while others note that ritual is an
important learning device.
Ritual as Part of the Long Transformation
It is easy to see
performance of ritual as a shortcut to the things we desire. However, we
gradually learn that a transformation supported by ritual is a slow,
arduous journey. By encouraging people to make religious vision a guiding
center of their lives, ritual helps to illuminate lifelong goals and
remind people that struggle accompanies all development.
SYMBOLS
All forms of symbol—words, pictures,
actions, objects, etc.—are meaning-carriers; like ritual, they have the
ability to make reality more real. Because religious traditions profess
belief in invisible numinous realities, symbols can provide a means of
perception for these invisible realities. Some religions even have core
symbols that are central to the tradition, such as the Jewish Torah, a
symbol of God’s kindness and guidance.
RITUAL, SYMBOL, AND THE NUMINOUS
The Symbol in Primitive, Archaic, and Historic Religion
In primitive religion, symbols and the
numinous are essentially the same thing. Rather than describing sacred
objects as symbols, the objects are considered to embody the numinous
essence as well as represent it. This tendency is sometimes seen in
archaic religion as well: the statues of gods may be the gods themselves.
However, archaic religion can also recognize that representations of
numinous power are distinct from the power itself. Historic religions
have a firm grasp of this concept. Because symbols are part of limited
reality, they are clearly separate from the ultimate numinous reality.
The Problem of Idolatry in Historic Religions
The infinite nature of ultimate reality
makes symbols even more important for followers of historic religion;
symbols can even be dangerously attractive. The treatment of finite
symbols as infinite divinity is called idolatry, a practice that Western
religious traditions fiercely prohibit.
The Death of Religious Symbols
One form of a loss of religiousness is when
symbols begin to lose their impact and significance. This can happen
simply through cultural change. Symbols may die when their meaning is no
longer culturally acceptable, or when legalistic use of a symbol “wears
out” its significance.
End of notes to Chapter 10
This page last changed
Tuesday May 20, 2003
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In The Presence of Mystery

Line of Sufi dancers,
el Ghuri Palace, Cairo,
1998. Photo:
Copyright Stephen Wolf
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